MAUREEN DOWD LIKE THE MUMMY MOVIES MOVIE
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MAUREEN DOWD LIKE THE MUMMY MOVIES SERIES

a 7,000-word piece by the famed columnist about the role of women in Hollywood.Says producer Dana Calvo: ”The worst fear of men in Hollywood is that there’s going to be crying… And if there’s sex, what if there’s crying after sex?“ She wondered,’Is it too gay? Are women too annoying? You’re not sure, you’re trying to figure out.’… There’s an unseen curtain that gets in the way of things.” When Lisa Cholodenko tried to get $4 million to finance ‘The Kids Are All Right,’ she couldn’t get it.

MAUREEN DOWD LIKE THE MUMMY MOVIES MOVIE

“It reminds me of old Ingrid Bergman movie, the movie ‘Gaslight.’ They are being gaslighted. “But that 1.9 thing tells you where it stands and yet it’s so ephemeral. “I really got kind of bewitched by talking to all these women and hearing their stories, watching them try and figure it out,” the writer told TheWrap. Shonda Rhimes, one of the most successful show-runners in television, told Dowd, “There’s such an interest in things being equal and such a weary acceptance that it’s not.”Īlso Read: 5 Most Explosive Hollywood Sexism Revelations From NYT Magazine Cover Storyĭowd said she was fascinated by the different threads of guilt and uncertainty among the women she interviewed. The piece quotes leading women in Hollywood, such as actress and director Helen Hunt, who said it was hard to speak up: ”Women who say it’s not O.K.

MAUREEN DOWD LIKE THE MUMMY MOVIES SERIES

They’re obsessed with superhero myths, but they have this other series of myths they can’t let go.”ĭowd spent six months interviewing dozens of executives, producers, writers, directors and actors about the sense of marginalization many women feel in the industry. Not just the one that 15-year-old boys are driving the market, but all the other myths - that women can’t handle a $100 million budget, that they can’t direct. Hollywood is choking on all these outdated myths. She continued: “It’s like the last town on earth where the men are powerful and the women are beautiful. That’s what happened to Hollywood.”Īlso Read: Hollywood Sexism Exposed by Over 100 Women in Groundbreaking NY Times Cover Story If you exclude the hearts and minds of women, you get warped. It’s a sick society - like the Catholic Church and Saudi Arabia.

MAUREEN DOWD LIKE THE MUMMY MOVIES FULL

“Somewhere along the line I realized - wow, this incredibly liberal town full of men who say they’re feminists has been warped. “The other two things I covered like this were Catholic Church and Saudi Arabia,” she said in an interview with TheWrap. She cited the shocking statistic that in 20 only 1.9 percent of the directors of the 100 top-grossing films were women, a situation that seems to only get worse over time.ĭowd said she found the situation depressing. Dowd interviewed nearly 100 women for the piece, describing their experiences in an industry where women continue to have second-class status. The New York Times Magazine on Friday published a 7,000-word piece by the famed columnist about the role of women in Hollywood. No wonder West Wing creator Aaron Sorkin, whom Maureen once dated, told New York magazine that her house was 'a cross between the New York Public Library and the House of the Rising Sun.New York Times writer Maureen Dowd lambasted Hollywood as a “sick society” that clings to a myth of liberal values while it persists in excluding women from many aspects of the entertainment business. Maureen's shelves are filled with images of glamour girls like Brigitte Bardot, and the Marilyn Monroe and Joe DiMaggio wedding-day photo that got a New York Times editor demoted in 1954 on account of the movie star's sexily parted lips.Īnd everywhere are books (her favorites are by Jane Austen and Edith Wharton). Then there are her ironic minutiae-collections upon collections (like the Russian nesting dolls from Times reporters), much of them movie-related, the rest anything that combines fantasy and femininity. 'The women were always Trouble with a capital T, and the guys said things like ‘quite the hacienda.' The clothes are sleek and sumptuous the mood is sexy and mysterious.' 'I love the style of film noir,' she says. That's what gives the house's prettiness an edge: Maureen loves old films, but she goes for the dark melodrama, not the fluffy musical. 'It's a bit macabre,' she says, smiling slyly. Maureen's favorite spot is the second-floor den, whose walls match the blood in a French poster for the 1948 Maureen O'Sullivan movie The Big Clock.

Maureen dowd like the mummy movies